![]() ![]() Keep in mind, however, that no matter how much your artist wins, the losses fall on your shoulders. Whether your value is hidden under threads of emails or is expressed in hours of negotiating on your artist's behalf, realize it’s OK to quietly give yourself credit, especially when things go right. Be confident enough to understand that you provide just as much value to the artist’s operation as their music does. Most of the work you do will likely go unnoticed. You may not get thanked immediately, if at all, for the time you put in or sacrifices you make. 2 1 The album features guest appearances from Dizzy Wright, Hopsin, RA the Rugged Man, SwizZz, Vinnie Paz among others, along with. The album was released on June 11, 2013, through Funk Volume and was supported by the single 'Razor Blades and Steak Knives'. “Often times it’s a very thankless position.” My Grandma's Basement is the debut studio album by American rapper Jarren Benton. That way, if things start getting tense, they don’t question your role and value.”īeing a manager is “not a very glorious position,” Ritter admits. “Give them a glimpse into what you’re doing,” Ritter suggests, “not only so that they can learn for themselves, but so they can respect your role. Jarren Benton, Demrick SwizZz) 2015: «Lost Warriors» (SupaHotBeats. Jarren Benton) 2015: «Leave No Witness» (DJ Hoppa. Jarren Benton) 2015: «Joe Jackson/Consigliere» (Twisted Insane. You can review budget sheets, open up your day-to-day calendar or even read over contracts together. Jarren Benton, Dizzy Wright, SwizZz Hopsin) 2015: «Jack Move» (Erick Sermon. Ritter suggests meeting with your artist regularly. Still, it’s important to make them aware of how their business is being run throughout every step of their career. Persuading your artist to care about the business side of their career might be an endless uphill battle. Keep The Artists Involved In The Business At the end of the day, you’ll still get paid if they take your advice or not. Even if you feel that your input is valid, state your opinion and move on. They will likely push back on any creative feedback and will suggest that you stick to the handling the business. Understand that artists may not answer phone calls, text back right away or even check their emails. Transitioning into the music industry, where professionalism and structure are not obligatory standards, required Ritter to become “a lot more patient than I typically was.” ![]() Before management, Ritter was a Stanford Business grad and held down jobs at companies such as Deloitte Consulting and Goldman Sachs.
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